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1 callositas
hardening/thickening of skin, callus; callousness; hardness; hardening -
2 duramentum
dūrāmentum, i, n. [id.], a hardening in concreto.I.Lit., a hardened, i. e. ligneous vine-branch, Col. 4, 21, 1; Plin. 17, 23, 35, § 208; Pall. Febr. 12, 1.—Called also duramen, Col. 4, 22, 1.—II.Transf., a means of hardening, stimulus:III.humanae imbecillitatis efficacissimum duramentum est necessitas,
Val. Max. 2, 7, 10.—Trop., firmness (with robur), Sen. Tranq. An. 1. -
3 aes
aes, aeris (often used in plur. nom. and acc.; abl. aeribus, Cato ap. Paul. ex Fest. p. 27 Müll., and Lucr. 2, 636; gen. AERVM, Inscr. Orell. 3551), n. [cf. Germ. Eisen = iron, Erz = copper; Goth. aiz = copper, gold; Angl.Sax. ar, ær = ore, copper, brass; Eng. iron, ore; Lat. aurum; with the com. notion of brightness; cf. aurora, etc.].I.Any crude metal dug out of the earth, except gold and silver; esp.,a.Aes Cyprium, whence cuprum, copper: scoria aeris, copper dross or scoria, Plin. 34, 11, 24, § 107:b.aeris flos,
flowers of copper, id. 34, 11, 24, § 107:squama aeris,
scales of copper, Cels. 2, 12 init.:aes fundere,
Plin. 33, 5, 30, § 94:conflare et temperare,
id. 7, 56, 57, § 197:India neque aes neque plumbum habet,
id. 34, 17, 48, § 163:aurum et argentum et aes,
Vulg. Ex. 25, 3.—An alloy, for the most part of copper and tin, bronze (brass, an alloy of copper and zinc, was hardly known to the ancients. For their bronze coins the Greeks adhered to copper and tin till B.C. 400, after which they added lead. Silver is rare in Greek bronze coins. The Romans admitted lead into their bronze coins, but gradually reduced the quantity, and, under Calig., Nero, Vesp., and Domit., issued pure copper coins, and then reverted to the mixture of lead. In the bronze mirrors now existing, which are nearly all Etruscan, silver predominated to give a highly reflecting surface. The antique bronze had about 87 parts of copper to 13 of tin. An analysis of several objects has given the following centesimal parts: statua ex aere, Cic. Phil. 9, 6:II.simulacrum ex aere factum,
Plin. 34, 4, 9, § 15:valvas ex aere factitavere,
id. 34, 3, 7, § 13.—Hence:ducere aliquem ex aere,
to cast one's image in bronze, id. 7, 37, 38, § 125; and in the same sense poet.:ducere aera,
Hor. Ep. 2, 1, 240:aes Corinthium,
Plin. 34, 2, 3, §§ 5-8; v. Corinthius.—Meton.A.(Esp. in the poets.) For everything made or prepared from copper, bronze, etc. ( statues, tables of laws, money), and (as the ancients had the art of hardening and tempering copper and bronze) weapons, armor, utensils of husbandry: aes sonit, franguntur hastae, the trumpet sounds, Enn. ap. Non. 504, 32 (Trag. v. 213 Vahl.):B.Et prior aeris erat quam ferri cognitus usus: Aere solum terrae tractabant, aereque belli Miscebant fluctus et vulnera vasta serebant, etc.,
Lucr. 5, 1287:quae ille in aes incidit, in quo populi jussa perpetuasque leges esse voluit,
Cic. Phil. 1, 17; cf. id. Fam. 12, 1; Tac. A. 11, 14; 12, 53; id. H. 4, 40: aere ( with the trumpet, horn) ciere viros, Verg. A. 6, 165:non tuba directi, non aeris cornua flexi,
Ov. M. 1, 98 (hence also rectum aes, the tuba, in contr. with the crooked buccina, Juv. 2, 118); a brazen prow, Verg. A. 1, 35; the brazen age, Hor. Epod. 16, 64.—In plur.: aera, Cato ap. Paul. ex Fest. p. 27 Müll.; Verg. A. 2, 734; Hor. C. 4, 8, 2 al.—Money: the first Roman money consisted of small rude masses of copper, called aes rude, Plin. 33, 3, 13, § 43; afterwards as coined:1.aes signatum,
Cic. Leg. 3, 3; Plin. 33, 3, 13, § 43;so aes alone: si aes habent, dant mercem,
Plaut. As. 1, 3, 49:ancilla aere suo empta,
Ter. Phorm. 3, 2, 26: aes circumforaneum. borrowed from the brokers in the forum, Cic. Att. 2, 1: Hic meret aera liber Sosiis, earns them money, Hor. A. P. [p. 61] 345:gravis aere dextra,
Verg. E. 1, 36:effusum est aes tuum,
Vulg. Ez. 16, 36:neque in zona aes (tollerent),
ib. Maarc. 6, 8:etiam aureos nummos aes dicimus,
Dig. 50, 16, 159.—Hence,Aes alienum, lit. the money of another; hence, in reference to him who has it, the sum owed, a debt, Plaut. Curc. 3, 1, 2:2.habere aes alienum,
Cic. Fam. 5, 6:aes alienum amicorum suscipere,
to take upon one's self, id. Off. 2, 16:contrahere,
to run up, id. Q. Fr. 1, 1, 8:facere,
id. Att. 13, 46:conflare,
Sall. C. 14, 2; 24, 3:in aes alienum incidere,
to fall into debt, Cic. Cat. 2, 9:in aere alieno esse,
to be in debt, id. Verr. 2, 2, 4, § 6; so,aere alieno oppressum esse,
id. Font. 1; so Vulg. 1 Reg. 22, 2:laborare ex aere alieno,
Caes. B. C. 3, 22:liberare se aere alieno,
to get quit of, Cic. Att. 6, 2; so,aes alienum dissolvere,
id. Sull. 56:aere alieno exire,
to get out of, id. Phil. 11, 6.—In aere meo est, trop., he is, as it were, among my effects, he is my friend (only in the language of common conversation):* 3.in animo habui te in aere meo esse propter Lamiae nostri conjunctionem,
Cic. Fam. 13, 62; 15, 14.—Alicujus aeris esse, to be of some value, Gell. 18, 5.—* 4.In aere suo censeri, to be esteemed according to its own worth, Sen. Ep. 87.—C.Sometimes = as, the unit of the standard of money (cf. as); hence, aes grave, the old heary money (as weighed, not counted out):D.denis milibus aeris gravis reos condemnavit,
Liv. 5, 12:indicibus dena milia aeris gravis, quae tum divitiae habebantur, data,
id. 4, 60; so, aes alone and in the gen. sing., instead of assium:aeris miliens, triciens,
a hundred millions, three millions, Cic. Rep. 3, 10:qui milibus aeris quinquaginta census fuisset,
Liv. 24, 11.—Also for coins that are smaller than an as (quadrans, triens, etc.):nec pueri credunt, nisi qui nondum aere, i. e. quadrante, lavantur (those who bathed paid each a quadrans),
Juv. 2, 152 (cf.:dum tu quadrante lavatum Rex ibis,
Hor. S. 1, 3, 137).—Wages, pay.1.A soldier's pay = stipendium:2.negabant danda esse aera militibus,
Liv. 5, 4. And soon after: annua aera habes: annuam operam ede.— Hence in plur., = stipendia, Cic. Verr. 2, 5, 13, § 33.—Reward, payment, in gen., Juv. 6, 125: nullum in bonis numero, quod ad aes exit, that has in view or aims at pay, reward, Sen. Ep. 88.—E.In plur.: aera, counters; hence also the items of a computed sum (for which, later, a sing. form aera, ae (q. v.), came into use): si aera singula probāsti, summam, quae ex his confecta sit, non probare? Cic. ap. Non. 3, 18. -
4 callositas
callōsĭtas, ātis, f. [callosus], hardness of skin, callousness (post-class.), Scrib. Comp. 36:fistulae,
Veg. 3, 27, 3.— Trop., hardness, a hardening:usus communis,
Tert. Testim. Anim. 8:voluntarii erroris,
id. adv. Nat. 2, 1. -
5 obduratio
obdūrātĭo, ōnis, f. [obduro], a hardening; of the mind, obduration, obduracy (eccl. Lat.), Aug. Ep. 105; id. in Psa. 77 et saep. -
6 scirrosis
scirrōsis, is, f., = skirrôsis, a hardening in the flesh, = saxitas, Cael. Aur. Tard. 3, 4, 49. -
7 X
X, x, a character probably derived from the Greek X (this form of that letter being found in some few Greek inscriptions). Though not introduced instead of the characters for the two separate sounds till after the adoption of the alphabet, the letter x is certainly older than the Latin inscriptions known to us; for we find in the Columna rostr., EXEMET MAXIMOS, EXFOCIONT; in the fifth Epitaph of the Scipios, SAXSVM; and in the S. C. de Bacch., EXDEICENDVM, EXDEICATIS. EXTRAD, etc.The sound of X was like that of the Greek x, i. e. ks, although etymologically it represented not only cs (as in lux, from luc-s, and dixi, from dic-si), but also gs (as in lex, from leg-s; rexi, from reg-si); hs (as in traxi, from trah-si; vexi, from vehsi); and chs (as in the word onyx, from onych-s, borrowed from the Greek). The hardening of a softer final ( g, h, ch) before s into the c -sound, which occurs in the last-mentioned cases, is found also in several roots ending in v and u: nix for niv-s, vixi for viv-si, connixi for conniv-si, fluxi for fluv-si, from fluo (root FLUV; cf. fluvius), struxi for stru-si. Less frequently x has arisen from the combinations ps and ts: proximus for prop-simus (from prope), nixus for nit-sus (from nitor), the latter being used along with the collateral form nisus, as also connivi with connixi, and mistus (from misceo) with mixtus. An exchange of the sounds ss, or s and x, took place in axis for assis, laxus for lassus; cf. also Ulixes, from the Sicilian Oulixês, Etruscan Uluxe for Odusseus; so, too. Sextius, Exquiliae = Sestius, Esquiliae; cf. also Ajax = Aias. In the later language of the vulgar, the guttural sound in x disappeared, and s or ss was often written for it; as vis for vix. vixit for visit. unsit for unxit, conflississet for conflixisset, in late Inscrr. (v. Corss. Ausspr. I. p. 297 sq.); hence regularly in Italian, and frequently in the other Romance tongues, the Lat. x is represented by s or ss. Respecting the nature of x in composition, v. ex.By a mere graphic variation, one of the constituent sounds of x is often expressed in inscriptions (but not the earliest, v. Corss. Ausspr. I. p. 296) by an additional c or s; as SACXO or SAXSO for saxo; VCXOR or VXSOR for uxor; CONIVNCX or CONIVNXS for conjux; even both sounds are sometimes thus expressed, VICXSIT for vixit.As an abbreviation X stands for decem, ten; it was stamped upon the silver denarius, so called because it was valued at ten asses. -
8 x
X, x, a character probably derived from the Greek X (this form of that letter being found in some few Greek inscriptions). Though not introduced instead of the characters for the two separate sounds till after the adoption of the alphabet, the letter x is certainly older than the Latin inscriptions known to us; for we find in the Columna rostr., EXEMET MAXIMOS, EXFOCIONT; in the fifth Epitaph of the Scipios, SAXSVM; and in the S. C. de Bacch., EXDEICENDVM, EXDEICATIS. EXTRAD, etc.The sound of X was like that of the Greek x, i. e. ks, although etymologically it represented not only cs (as in lux, from luc-s, and dixi, from dic-si), but also gs (as in lex, from leg-s; rexi, from reg-si); hs (as in traxi, from trah-si; vexi, from vehsi); and chs (as in the word onyx, from onych-s, borrowed from the Greek). The hardening of a softer final ( g, h, ch) before s into the c -sound, which occurs in the last-mentioned cases, is found also in several roots ending in v and u: nix for niv-s, vixi for viv-si, connixi for conniv-si, fluxi for fluv-si, from fluo (root FLUV; cf. fluvius), struxi for stru-si. Less frequently x has arisen from the combinations ps and ts: proximus for prop-simus (from prope), nixus for nit-sus (from nitor), the latter being used along with the collateral form nisus, as also connivi with connixi, and mistus (from misceo) with mixtus. An exchange of the sounds ss, or s and x, took place in axis for assis, laxus for lassus; cf. also Ulixes, from the Sicilian Oulixês, Etruscan Uluxe for Odusseus; so, too. Sextius, Exquiliae = Sestius, Esquiliae; cf. also Ajax = Aias. In the later language of the vulgar, the guttural sound in x disappeared, and s or ss was often written for it; as vis for vix. vixit for visit. unsit for unxit, conflississet for conflixisset, in late Inscrr. (v. Corss. Ausspr. I. p. 297 sq.); hence regularly in Italian, and frequently in the other Romance tongues, the Lat. x is represented by s or ss. Respecting the nature of x in composition, v. ex.By a mere graphic variation, one of the constituent sounds of x is often expressed in inscriptions (but not the earliest, v. Corss. Ausspr. I. p. 296) by an additional c or s; as SACXO or SAXSO for saxo; VCXOR or VXSOR for uxor; CONIVNCX or CONIVNXS for conjux; even both sounds are sometimes thus expressed, VICXSIT for vixit.As an abbreviation X stands for decem, ten; it was stamped upon the silver denarius, so called because it was valued at ten asses.
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